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AGENDA FOR THE PSYCHOLOGY OF
THE GESTALT THEORY OF EXPRESSION
PERCEPTUAL AND AESTHETIC ASPECTS
PERCEPTUAL ANALYSIS OF A RORSCHACH CARD
ORDER AND COMPLEXITY IN LANDSCAPE DESIGN
THE MYTH OF THE BLEATING LAMB
ART HISTORY AND THE PARTIAL
PERCEPTUAL ANALYSIS OF A SYMBOL OF INTERACTION
ABSTRACT LANGUAGE AND THE METAPHOR
CONTEMPLATION AND CREATIVITY
EMOTION AND FEELING IN PSYCHOLOGY AND
THE ROBIN AND THE SAINT
WHAT KIND OF PSYCHOLOGY?
IS MODERN ART NECESSARY?
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abstract according activity aesthetic appearance applied artist aspects assume become behavior body color common complex concepts concrete considered corresponding created derived described direct distinguished drawings dynamic effect elements emotion essential example existence experience expression face fact feeling figure forces function Gestalt given hand head human individual instance interaction interpretation kind less limited lines look material matter means mental mind movement namely nature object observer organization painting particular past pattern perceived perceptual person physical picture possible practical present principle problem processes produce properties psychology qualities question reality reason REFERENCES relations represent representation requires sculpture seems seen sense serve shape similar simple space speak stimulus structure style suggests symbolic tends term theory things thinking thought tion true units visible visual whole